2020-2022
Ruby , blue and green-last photo together, 100cmx60cm, oil on canvas, 2022
Maybe enraged, 150x100m, oil on canvas, 2021
Sad vacation-my heart on the plate, 60x60cm, oil on canvas, 2021
Sad vacation-my heart on the plate, 60x60cm, oil on canvas, 2021
Embracing a bad situtation is never a weakness, 100x80cm, oil on canvas, 2022
Season end, 130x100, oil on canvas, 2022
Flagless, 100x80cm, oil on canvas, 2022
Season end, 130x100, oil on canvas, 2022
Flagless, 100x80cm, oil on canvas, 2022
Lift no weight, 40x40cm, oil on canvas, 2021
Measure that, 40x30cm, oil on canvas, 2021
Routes, 20x20cm, oil on canvas, 2021
And your longing was cut from a dream, this is a split, 100x120cm, oil on canvas, 2021
A shovel intended only for your fluo happiness, 80x60cm, oil on canvas, 2021
Wandering the worldly with unprecedented insecurity, 180x220cm,oil on canvas, 2021
In sickness and health, 120x100cm, oil on canvas, 2021
Masterful light, 100x70cm, oil on canvas, 2020
Immovable to a memory, 100x70cm, oil canvas, 2020
What fills the void might be just empty thoughts or unusual needs, 140x200cm, oil on canvas, 2021
Tramontate stelle, 150x100cm, oil on canvas, 2020
Quarteto, 20x30cm, oil on canvas, 2021
Saplings bloom against frost, 100x70cm, oil on canvas, 2020
Tangled, 40x30cm, oil on canvas, 2021
Unbound bond, 180x130cm, oil on cavas, 2021
The trancendence of a hypothetical landscape, 160x200cm, oil canvas, 2020
Beniamino Gigli, 70x50cm, oil on canvas, 2020
Datura stramonium,200x160cm, oil on canvas, 2021
Talk to me only when the wind blows hard, 120x100cm, oil on canvas, 2020
Ninemia. 200x160cm, oil on canvas, 2020
Arbre moine, 200x160cm, oil on canvas, 2020
Hands reaching out, 150x100cm, oil on canvas, 2020
Aparasphendonon brunoi, 60x60cm, oil on canvas, 2020
Mast or sand, 80x80cm, oil on canvas, 2020
Thermo-ideogramma, 40x30cm, oil on canvas, 2020
Loin de la terre I, 40x40cm, oil on canvas, 2020
Until cold is more than enough, enough to wake me, oil on canvas, 2021
Loin de la terre III, oil on canvas, 2021
Brumeux, 20x20cm, oil on canvas, 2020
L'etoile en bas, 20x20cm, oil on canvas, 2020
Loin de terre II, 40x40cm, oil on canvas, 2020
Stream, 20x20cm, oil on canvas, 2020
Wind that left, 20x20cm, oil on canvas, 2020
Exit, 100x70cm, oil on canvas, 2020
Cyclone, 100x150cm, oil and acrylic on canvas, 2020
Marginally before, 20x30cm, oil on canvas, 2021
Pres de la raccine, 60x60cm, oil on canvas, 2020
Fenetre pour voyager, 70x50cm, 2020
Un morceau du fond de la mer, 70x50cm, oil on canvas, 2020
My land my rules, 30x30cm, oil on canvas, 2020
My land my rules II, 20x20cm, oil on canvas, 2020
My land my rules III, 30x30cm, 2020
The hope of returning from battle to light, 40x40cm, oil and acrylic on canvas, 2020
2010-2019
RED FIELDS FLOAT, Municipal Gallery of Mykonos,2017
These paintings are inspired by inconspicuous sources without a symbolic character, but forms derive from a gesture of balance and measure of the surface and the use of color. There is an objective opacity and honesty in the way in which the black and the red are positioned in a computational manner in order to describe the positive and negative space, the white surface accepts the interactive relationship created by the figures through colour, while the black creates the boundaries and the red gives breath and almost kinetic energy.
In relation to the technique, the drawing and boundaries arise by dripping and then by imprinting a second image is created and the pair is complete, thus creating a sequence of artworks unbreakable where one form is derived from another.
What is relevant to this painting is the interaction between black and the red light and how a gesture technique results in deep images absorbing the viewer's gaze. A very dynamic relationship with harmony, balance, symmetry and explosions. Usually there is an idea of the final image, but there are always interesting forms in the process, these paintings have been worked from the ground as it is necessary for the design to remain unchanged and the color intact without mutations.
These paintings are inspired by inconspicuous sources without a symbolic character, but forms derive from a gesture of balance and measure of the surface and the use of color. There is an objective opacity and honesty in the way in which the black and the red are positioned in a computational manner in order to describe the positive and negative space, the white surface accepts the interactive relationship created by the figures through colour, while the black creates the boundaries and the red gives breath and almost kinetic energy.
In relation to the technique, the drawing and boundaries arise by dripping and then by imprinting a second image is created and the pair is complete, thus creating a sequence of artworks unbreakable where one form is derived from another.
What is relevant to this painting is the interaction between black and the red light and how a gesture technique results in deep images absorbing the viewer's gaze. A very dynamic relationship with harmony, balance, symmetry and explosions. Usually there is an idea of the final image, but there are always interesting forms in the process, these paintings have been worked from the ground as it is necessary for the design to remain unchanged and the color intact without mutations.
Snapshots, 210cmx50cm,2014
From the color of red unilateralism by dissolving the black element , the water acts as a solvent that captures the limited movements of foreign elements. Present here the solid red and the soluble black create a kinetic color game which is reflected as snapshots in a big jar. What dissolves time and what remains unchanged with the passage of this in? The time course of materials and their movements are changing the nature of the fluid element and give it a scrambled tone which makes it impossible to return to its original form.
From the color of red unilateralism by dissolving the black element , the water acts as a solvent that captures the limited movements of foreign elements. Present here the solid red and the soluble black create a kinetic color game which is reflected as snapshots in a big jar. What dissolves time and what remains unchanged with the passage of this in? The time course of materials and their movements are changing the nature of the fluid element and give it a scrambled tone which makes it impossible to return to its original form.
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Acrylic on paper 50cmx70cm
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Oil on canvas 20cmx30cm
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Oil on canvas 320cmx200cm
Oil on canvas 280cmx100cm
Oil on canvas 220cmx120cm
Oil on cardboard 280cmx130cm
Oil on cardboard 350cmx130cm
