RED FIELDS FLOAT, Municipal Gallery of Mykonos,2017
These paintings are inspired by inconspicuous sources without a symbolic character, but forms derive from a gesture of balance and measure of the surface and the use of color. There is an objective opacity and honesty in the way in which the black and the red are positioned in a computational manner in order to describe the positive and negative space, the white surface accepts the interactive relationship created by the figures through colour, while the black creates the boundaries and the red gives breath and almost kinetic energy.
In relation to the technique, the drawing and boundaries arise by dripping and then by imprinting a second image is created and the pair is complete, thus creating a sequence of artworks unbreakable where one form is derived from another.
What is relevant to this painting is the interaction between black and the red light and how a gesture technique results in deep images absorbing the viewer's gaze. A very dynamic relationship with harmony, balance, symmetry and explosions. Usually there is an idea of the final image, but there are always interesting forms in the process, these paintings have been worked from the ground as it is necessary for the design to remain unchanged and the color intact without mutations.
These paintings are inspired by inconspicuous sources without a symbolic character, but forms derive from a gesture of balance and measure of the surface and the use of color. There is an objective opacity and honesty in the way in which the black and the red are positioned in a computational manner in order to describe the positive and negative space, the white surface accepts the interactive relationship created by the figures through colour, while the black creates the boundaries and the red gives breath and almost kinetic energy.
In relation to the technique, the drawing and boundaries arise by dripping and then by imprinting a second image is created and the pair is complete, thus creating a sequence of artworks unbreakable where one form is derived from another.
What is relevant to this painting is the interaction between black and the red light and how a gesture technique results in deep images absorbing the viewer's gaze. A very dynamic relationship with harmony, balance, symmetry and explosions. Usually there is an idea of the final image, but there are always interesting forms in the process, these paintings have been worked from the ground as it is necessary for the design to remain unchanged and the color intact without mutations.
Snapshots, 210cmx50cm,2014
From the color of red unilateralism by dissolving the black element , the water acts as a solvent that captures the limited movements of foreign elements. Present here the solid red and the soluble black create a kinetic color game which is reflected as snapshots in a big jar. What dissolves time and what remains unchanged with the passage of this in? The time course of materials and their movements are changing the nature of the fluid element and give it a scrambled tone which makes it impossible to return to its original form.
From the color of red unilateralism by dissolving the black element , the water acts as a solvent that captures the limited movements of foreign elements. Present here the solid red and the soluble black create a kinetic color game which is reflected as snapshots in a big jar. What dissolves time and what remains unchanged with the passage of this in? The time course of materials and their movements are changing the nature of the fluid element and give it a scrambled tone which makes it impossible to return to its original form.
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Acrylic on paper 50cmx70cm
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Oil on canvas 20cmx30cm
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Oil on canvas 320cmx200cm
Oil on canvas 280cmx100cm
Oil on canvas 220cmx120cm
Oil on cardboard 280cmx130cm
Oil on cardboard 350cmx130cm