Nord Drone, 380cm x 320cm, 2017
Digital prints, installation
''A mortal God'', 233cmx377cm,2015
velvet, naylon,vigils
In this wall installation depicting the symbol of the cross in such a way as to significantly attributed the opposition of those who profess the symbol in relation to the corruptibility and mortality of divinity and religion which finds its roots in the failure of the human to face external forces and insticts.The freedom of religious conscience presupposes and implies the freedom to worship, but the limitation to these collective tactics and methods makes the religious spirit non inspired.The person is restricted by an object and habits and will be quickly limited by respect to the circle of faith ,dependence will gradually prevail for explanation and exploration through ritual and symbolic ways of submission.
Where the logic is not able to explain the external forces then the position of faith takes on something more than man, nevertheless a free spirit man has the ability to choose the regression from one phase to another , which is associated with psycho-intellectual situation given time and the present need.
This acknowledgment of intellectual freedom is subsequent recognition of our loneliness and our insignificance in the universe. So the man as a ''being'' of two natures (physical and spiritual), with the right to freedom of choice can and defines the use, damage, influence and life durance a symbol can have, an object or a theoretical power.
Where the logic is not able to explain the external forces then the position of faith takes on something more than man, nevertheless a free spirit man has the ability to choose the regression from one phase to another , which is associated with psycho-intellectual situation given time and the present need.
This acknowledgment of intellectual freedom is subsequent recognition of our loneliness and our insignificance in the universe. So the man as a ''being'' of two natures (physical and spiritual), with the right to freedom of choice can and defines the use, damage, influence and life durance a symbol can have, an object or a theoretical power.
In the jars, 620x320cm ,2013
An installation synthesized by mini shelfs, jars and kernels of olives. From eating to rituals the kernel here is displayed as a sumbol.
An installation synthesized by mini shelfs, jars and kernels of olives. From eating to rituals the kernel here is displayed as a sumbol.
A banner, 650cmx330cm ,2013
Displayed as a banner of protest, this painting is made by olive paste on fabric.
Displayed as a banner of protest, this painting is made by olive paste on fabric.
Reminds me of you, 100cmx100cmx45cm, 2013
An installation related to rituals,the olive oil as fuel for lighted vigils inside pots.
An installation related to rituals,the olive oil as fuel for lighted vigils inside pots.
Over the void : Uranus . Bottom: the rest . In ancient Greek language the word Chaos means the empty benieth us . The word does not mean a crack or
once confusion or commingling .. According to Hesiod chaos is a gap , just what remains of an empty egg when break the shell . First came the Chaos and then Gaia , the solid and eternal home, and after Gaia came Eros .. Through a process of action and reaction , instinct and narrative power, the air of surface with the dynamic << chromaticity >> of black, attach the strong movements that human body can do . Using materials without prior impurities there is a dialogue taking place between the act and the unrolling surface in space.
once confusion or commingling .. According to Hesiod chaos is a gap , just what remains of an empty egg when break the shell . First came the Chaos and then Gaia , the solid and eternal home, and after Gaia came Eros .. Through a process of action and reaction , instinct and narrative power, the air of surface with the dynamic << chromaticity >> of black, attach the strong movements that human body can do . Using materials without prior impurities there is a dialogue taking place between the act and the unrolling surface in space.
